![]() Also, there will no doubt be some of you who are wondering why there are only two decks when software DJing has the potential to allow us to work with more. ![]() Some of the buttons and fonts could also benefit from being larger or clearer, and even the largest of the available fonts just isn´t quite big enough for our tastes. Would be much more useful if you could blow the whole thing up even bigger. It´s great that NI have included the option to alter the colour of the waveform, and that there´s a zoom function, but it Help but feel that this feature could be better implemented. Whilst this is a very useful aspect of Traktor Scratch, we can´t One of the greatest luxuries of most digital mixing systems is the ability to see the waveform on the display screen. If you only want the interface, you can get it for £300, and, conversely, if you buy a ‘Traktor Scratch Certified´ integrated mixer/interface, you can get the software, vinyls and CDs as an upgrade kit, making a full setup. There´s also a ground lift and rumble filters for your decks, and it´s clearly built to last. It´s a serious interface, for sure, with eight inputs and outputs, MIDI ports, status LEDs and a headphones out. ![]() After all, the Audio 8 DJ boasts 24-bit/96kHz audio and high-grade Cirrus Logic A/D and D/A converters. With the in-built recorder and capacity to play back high-quality 24-bit and 32-bit audio formats, there´s no reason why you couldn´t use it in your productions. You can also route your mixer´s sends into the software and apply the effects to your music vinyls and CDs too. ![]() Chuck in NI´s quality filters and effects and the system can even serve as a sound editing tool. It also comes with an adjustable Pitch Lock option so that playback speed and tuning can be altered independently.Īnother trick not possible with records is that you can set a loop, and then spin that vinyl back as it loops indefinitely. That means the digital audio file plays at the speed of your timecode disc plus the additional range of the software itself. Have you ever wished to mix two records that can´t be beatmatched within the pitch range on your decks? Traktor Scratch boasts an adjustable range of pitch scales - plus or minus 8%, 35%, 50% and 100% - that are separate from the actual speed of the timecode disc. Notable is the Beatjumper feature, which enables you to skip a number of beats backwards or forwards according to the detected BPM or Beatgrid - perfect for those situations when a fine dancer catches your eye, causing you to miss your cue. The supplied vinyl timecode discs are pressed on high quality, lightweight 12¨ slabs, with a deeper groove on one side for a very comfortable scratching experience, and you can set the discs to respond in either 33rpm or 45rpm modes. You´ll find pulling off a tight mix or scratching with your digital audio files is no hardship for Traktor Scratch at all. More important than the numbers, though, is that it feels exceptionally tight, even at pretty high latency settings. We found that some of the lower latency settings worked very well, even on our modest test machine. Within the software preferences are convenient templates with configurations to suit a range of different computer setups. In the realm of digital audio it´s almost taken for granted that there will be some signal delay, so how does Traktor Scratch perform in this most important area?įirst of all, the Audio 8 DJ USB 2.0 audio interface comes with a set of low-latency ASIO drivers as standard. Any DJ will appreciate how difficult it can be to do your job when there´s an obvious lag between what you do and what you hear. Let´s face it, latency has long been the arch enemy of DJs.
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